Overlooked No More: Remedios Varo, Spanish Painter of Magic, Mysticism and Science


Varo, by then properly into her 40s, had her breakthrough with a gaggle exhibition in 1955, displaying work that handled the unconscious, the paranormal and the metaphysical; in lots of, the protagonist seemed like Varo.

She was curious about tarot, astrology and alchemy, which she balanced with a lifelong love of science, notably geology, Arcq stated in an interview. Varo’s work fused these pursuits.

“She was looking for the intersection between the paranormal and the scientific,” Arcq stated.

In Varo’s portray “Concord” (1956), an individual (it might be a person or a girl) sits at a desk in a cavernous room, threading objects like crystals, crops, geometric figures and paper scraps of mathematical formulation onto a musical workers that appears like an abacus or a loom. Figures resembling muses look like popping out of the partitions. The individual, Varo wrote in a word addressed to her household, “is looking for the invisible thread that unites all issues.”

By this time she was dwelling with Walter Gruen, an exiled Austrian proprietor of a well-liked classical music file store. He believed in Varo’s expertise and inspired her to dedicate herself to portray wholeheartedly.

Varo had her first main solo exhibition in Mexico Metropolis in 1956. It was a success amongst critics and collectors in addition to the celebrated Mexican muralist Diego Rivera, who was quoted as saying that Varo was “among the many most essential ladies artists on this planet.” Her second solo present, in 1962, was additionally profitable.

Varo died of a coronary heart assault on Oct. 8, 1963. She was 54. Gruen grew to become a tireless champion of her work and legacy, and a 1971 posthumous retrospective on the Museum of Fashionable Artwork in Mexico drew crowds.

The worth of Varo’s work has soared lately, in no small half due to its rarity, high quality and putting imagery.

“It has a magical impact,” Norris stated. “There’s a radiance and a lightweight to her work, very like you see in an ideal Renaissance portray.”


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